Below are some freestyle rap tips that will help you heighten your flow and heighten the delivery and buildings of your rhymes. At first they may seem a bit confusing however sit down and try to pick a famous rap tune, or one of your own and see how or if the following techniques are being used. Then try to write a new rap, not a freestyle using some of these techniques. Hopefully you should find the rap feels more solid and has a bit more bite to it than other rhymes without these techniques in.
Call-backs
Piano Concerto
Call-backs in a freestyle are plainly when the first part of a bar rhymes with the last part of the second bar.
Inners
An inner is when you do not wait to the end of the second bar to put your rhyming word. In succeed you pre-empt the call-back and turn the rhythm of the rap. A good example would be:
"Spittin on the Mic like a like an Mvp, I'm the best you see....you Like what you hear when you listen to me?"
In this example Mic and Like are the inners, providing rhymes in the middle of each bar or line.
Multis
Multis are used like a motor gun to bombard a consolidate of lines of the freestyle rap with as many words that all rhyme as possible. A very easy example would go as follows:
"The cat got the fat rat with a baseball bat, you keep spitting this cr$p and i'm gonna get you like dat"
Structure your rhymes
It is assuredly crucial you try to buildings your rhymes. This is of course much easier when you are writing down lyrics as opposed to a kicking a freestyle off the top of your head. however what you will find is you can pre-build structures in your head.
Rather than just following a boring pattern of
Word word Word word Word word Rhyme
Word word Word word Word word Rhyme
try to break up the flow by throwing in some inners or multies as described above.
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