Rachmaninov: The Bells, Op. 35 / Taneyev: John of Damascus, Op. 1

Rachmaninov: The Bells, Op. 35 / Taneyev: John of Damascus, Op. 1 Review

Rachmaninov: The Bells, Op. 35 / Taneyev: John of Damascus, Op. 1 Overview

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Rachmaninov: The Bells, Op. 35 / Taneyev: John of Damascus, Op. 1 Specifications

Rachmaninov allegedly considered The Bells to be his best work, and it is not difficult to hear why. Written in 1913, it has a freshness of invention that is irresistible. Perhaps the text (an adaptation of an Edgar Allan Poe poem) struck a chord with this composer's sensibilities: different bells symbolize different facets of existence. The piece deserves more frequent airing, and it is to be hoped that Mikhail Pletnev and his Russian forces help raise awareness of it. The soloists are superb (Mescheriakova is particularly impressive), but the real star is the Moscow State Chamber Choir. This is a worthy companion to Pletnev's accounts of Rachmaninov orchestral works. Also included is a piece by Sergei Taneyev, a composer who should be more widely appreciated. Too often castigated in the textbooks for being overly academic, his works nevertheless demonstrate a creative originality that has immediate appeal. The cantata John of Damascus is something of a find. The Russian National Orchestra creates a superbly chilly atmosphere in the first movement, and once again the choir triumphs with fervent singing that conveys belief in the quality of this music. The Bells ranks as a fine modern performance, but the Taneyev might prove even more fascinating. --Colin Clarke

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