Wednesday, April 11, 2012

Beethoven: Piano Concerto No. 5 / Triple Concerto (Essential Classics)

Beethoven: Piano Concerto No. 5 / Triple Concerto (Essential Classics) Review


Beethoven: Piano Concerto No. 5 / Triple Concerto (Essential Classics) Overview

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Harvest of Sorrow - Tony Palmer's Film About Sergei Rachmaninoff

Harvest of Sorrow - Tony Palmer's Film About Sergei Rachmaninoff Review


Harvest of Sorrow - Tony Palmer's Film About Sergei Rachmaninoff Overview

Specially commissioned performances conducted by VALERY GERGIEV with the Kirov Orchestra and Chorus of The Mariinsky Theater
Chorus Master Valery Borisov

Rachmaninoff s letters and other reminiscences spoken by Sir John Gielgud.

Used in films like Brief Encounter and Shine; on TV in The South Bank Show and Panorama; on radio in Semprini Serenade; and including some of the most famous melodies of the 20th century, Rachmaninoff s romantic, passionate music is as popular today as it has ever been. This 100-minute documentary film, shot in Russia, Switzerland and America, is made with the full participation of the composer s grandson, Alexander Rachmaninoff.

Featuring soloists Mikhail Pletnev (with the Berlin Philharmonic Orchestra conducted by Claudio Abbado, and his own Russian National Orchestra), Dmitri Hvorostovsky and young stars Valentina Igoshina, Peter Jablonski and Nikolai Putilin, the music is specially recorded with the great conductor Valery Gergiev and the Kirov Orchestra and Chorus of the Mariinsky Theater in St Petersburg, with which Rachmaninoff was intimately associated. Tony Palmer s film, with Rachmaninoff s own words spoken by Sir John Gielgud, is a unique and loving insight into a world long gone, but definitely not forgotten.

Extracts from home movies of Sergei Rachmaninoff © Alexander Rachmaninoff used by kind permission of Alexander Rachmaninoff.

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Tuesday, April 10, 2012

Evgeny Kissin La Campanella

Evgeny Kissin La Campanella Video Clips. Duration : 4.52 Mins.


Evgeny Kissin playing "La Campanella" La campanella (meaning "The Little Bell") is the nickname given to the third of six Grandes études de Paganini ("Grand Paganini Etudes"), S. 141 (1851), composed by Franz Liszt. This piece is a revision of an earlier version from 1838, the Études d'exécution transcendente d'après Paganini, S. 140. Its melody comes from the final movement of Niccolò Paganini's Violin Concerto No. 2 in B minor, where the tune was reinforced by a little handbell.

Tags: Evgeny, Kissin, la, campanella, liszt, franz, piano, romantic, clochette, etude, paganini, Violin, Concerto, No., in, minor, Niccolò

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#5 Music Theory: Reading sheet music

#5 Music Theory: Reading sheet music Video Clips. Duration : 25.40 Mins.


A music theory tutorial on how to read sheet music, the names of the clefs, the names of the notes. Be sure to visit my website and join the music community! www.howtoplaypiano.ca

Tags: music, theory, reading, sheet, notes, clef, clefs, treble, bass, andrew, furmanczyk

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Monday, April 9, 2012

E. Ysaye—sonata for cello solo, 1st m.

E. Ysaye—sonata for cello solo, 1st m. Tube. Duration : 4.53 Mins.


Dmitry Cheglakov - cello Rachmaninov hall of Moscow conservatory (live) Jan 2003

Keywords: cello, solo, Ysaye

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ILYA ITIN S. RACHMANINOV PAGANINI VARIATIONS PT2

ILYA ITIN S. RACHMANINOV PAGANINI VARIATIONS PT2 Tube. Duration : 10.17 Mins.


the 1st prize winning performance from the Leeds International Piano Competition 1996.Variations on a Theme of Paganini of Sergei Rachmaninov. PART2.. Ilya Itin is a frequent performer with the Miami International Piano Festival DVDs avaiable on Video Artists International vaimisic.com http

Keywords: miamipianofestival, classical, piano, Sergei, Rachmaninoff, and, orchestra

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Beethoven: The 5 Piano Concertos

Beethoven: The 5 Piano Concertos Review


Beethoven: The 5 Piano Concertos Overview

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Beethoven: The 5 Piano Concertos Specifications

Though some musicians rerecord the same repertoire, refining the same concept over time, Alfred Brendel's Beethoven concertos change significantly with every go-around. One of the defining influences in this latest go-around is conductor Simon Rattle. He's one of the stronger minded and truly collaborative conductors that Brendel has ever had, and his bent toward historically informed performance inspires the pianist to a radical reevaluation, resulting in interpretations that achieve a new level of cogency over his previous take. Phrases have an even greater sense of purpose and direction than ever before, forming tiny, mosaic-like entities within the music, often accompanied by something rarely heard from Brendel: rubato. At his considerable best, Brendel's playing has a great sense of inevitability amid the surprises that always come with a great musical mind approaching the music afresh. The only letdown here is the "Emperor" concerto. Although excellent, the reading is just a tad conventional. If you'd like to delve deeper into Beethoven's concertos, you'll enjoy Leon Plantinga's thorough study of all the composer's essays in the genre. --David Patrick Stearns

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