Saturday, February 11, 2012

Freestyle Rap Tips - To Help You enhance Your Freestyles

Below are some freestyle rap tips that will help you heighten your flow and heighten the delivery and buildings of your rhymes. At first they may seem a bit confusing however sit down and try to pick a famous rap tune, or one of your own and see how or if the following techniques are being used. Then try to write a new rap, not a freestyle using some of these techniques. Hopefully you should find the rap feels more solid and has a bit more bite to it than other rhymes without these techniques in.

Call-backs

Piano Concerto

Call-backs in a freestyle are plainly when the first part of a bar rhymes with the last part of the second bar.

Inners

An inner is when you do not wait to the end of the second bar to put your rhyming word. In succeed you pre-empt the call-back and turn the rhythm of the rap. A good example would be:

"Spittin on the Mic like a like an Mvp, I'm the best you see....you Like what you hear when you listen to me?"
In this example Mic and Like are the inners, providing rhymes in the middle of each bar or line.

Multis

Multis are used like a motor gun to bombard a consolidate of lines of the freestyle rap with as many words that all rhyme as possible. A very easy example would go as follows:

"The cat got the fat rat with a baseball bat, you keep spitting this cr$p and i'm gonna get you like dat"

Structure your rhymes

It is assuredly crucial you try to buildings your rhymes. This is of course much easier when you are writing down lyrics as opposed to a kicking a freestyle off the top of your head. however what you will find is you can pre-build structures in your head.
Rather than just following a boring pattern of

Word word Word word Word word Rhyme
Word word Word word Word word Rhyme

try to break up the flow by throwing in some inners or multies as described above.

Freestyle Rap Tips - To Help You enhance Your Freestyles

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Justin Sandercoe Launches His Debut Album - "Small Town Eyes"

"Hello there my virtual friends," is a more well-known phrase when I think of internet phenomenon and guitar personality Justin Sandercoe. Having recently started following the develop of Justin's online guitar tuition website it is a breath of fresh air to see Mr Sandercoe in the flesh and performing with guitar as opposed to his general role as happy guitar tutor.

With an array of talent in his band put together for the recording and publish of "Small Town Eyes," the Sandercoe band launched into the angelic "Forevergreen," with it's renowned guitar intro and bossa nova chorus. Close behind followed the country blues stomp "Love and Levity" delivered with charismatic and assured aplomb.

Piano Concerto

More acoustic pop highlights followed with the heart warming "Into the Blue" and "Page 99," a homage to the author Louis De Bernieres, faultless with tremolo mandolin that would have made Captain Corelli proud! Then came the delightful instrumental, "From Katie's Window," where Sandercoe displays the dexterity as a guitarist and musicianship that has cemented his place as one of the web's important guitar personalities. A exquisite interlude emphasising a warmth and spirit that is touching and abundant straight through all of Justin's music and his 'between song banter' in this intimate setting.

The band began to fire on all cylinders and for real began to cook towards the end of the set galvanized by the introduction of co writer Peter Cunnah of D:Ream fame, on backing vocal duties. The stand out song of the evening was the exquisite "Falling Next To You," a fine ode to uncertain and newfound love with a blissful groove, classic harmonica motif and infectious backing vocals. Here we see Sandercoe's maturity as a song writer and the power of the group as a whole, topped off with some delightful Gretsch guitar overtones.

A warm and intriguing display from our internet hero, and on his birthday too. Watch out for "Small Town Eyes" produced by Cesar Gimeno Lavin, a promising debut album, that is sure to be favorite in Uk and Us acoustic music circles.

Justin Sandercoe Launches His Debut Album - "Small Town Eyes"

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Grieg: Piano Concerto

Grieg: Piano Concerto Review


Grieg: Piano Concerto Overview

In his own words, Grieg aspired ‘to paint Norwegian nature, Norwegian folk-life, Norwegian history and Norwegian folk-poetry in music’. In Autumn sees Grieg take inspiration from the forces of nature, both life-giving and destructive, whether it be from the farmers’ harvest celebrations or he ensuing death and decay, while the Symphonic Dances make extensive use of Norwegian folk-melodies. Indeed it has often been said that the famous Piano Concerto has an lement of untamed wildness in its opening timpani roll followed by the cascading chimes of the piano. Whatever its inspiration, this cornerstone of the piano repertoire remains one of most enduringly-popular of all concertos on account of its profusion of inspired melodies, noble eloquence and poetic vitality.

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Friday, February 10, 2012

Ann Arbor Huron HS Concert Band - "Rikudim - Four Israeli Dances for Band" by Jan Van der Roost

Ann Arbor Huron HS Concert Band - "Rikudim - Four Israeli Dances for Band" by Jan Van der Roost Tube. Duration : 9.48 Mins.


The Ann Arbor Huron High School Concert Band performs "Rikudim - Four Israeli Dances for Band" written and conducted by Jan Van der Roost at Meyer's Auditorium on December 14, 2009 as part of their Winter Concert.

Tags: 2009 guest conductor

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Han Ding: S. Prokofiev: Piano Concerto No. 2 in G, Op. 16: Movement 1 Cadenza

Han Ding: S. Prokofiev: Piano Concerto No. 2 in G, Op. 16: Movement 1 Cadenza Video Clips. Duration : 5.18 Mins.


Private solo take of the cadenza from the first movement (Andantino-Allegretto) of Serge Prokofiev's Piano Concerto No. 2 in G, Opus 16. Instrument: Petrof PIII Score edition: Boosey & Hawkes Performance coach: Dr. Vladimir Levtov Video text error: the last text appears "XXII.XXII.MMX"; it should read "XII.XII.MMX". Thanks for watching.

Keywords: Prokofiev, Piano Concerto No 2, Cadenza, Han Ding

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The Courtly Dances By Benjamin Britten Arr. Jan Bach

The Courtly Dances By Benjamin Britten Arr. Jan Bach Tube. Duration : 10.00 Mins.


I played this piece in My first year of university. It definitely had it's challenges but it was a worth-while piece that really tells a story. :) This is The Courtly Dances from Act 2 of Gloriana, Op. 53" By Benjamin Britten and Arranged by Jan Bach

Tags: the courtly dances, act 2, two, gloriana, op.53, benjamin britten, jan bach, music, concert band, symphonic band, wind ensemble, wind symphony, concertbandland

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Thursday, February 9, 2012

VLADIMIR HOROWITZ - MASTER OF RACH 3 OPUS 30 [1909] - HD

VLADIMIR HOROWITZ - MASTER OF RACH 3 OPUS 30 [1909] - HD Tube. Duration : 43.97 Mins.


Sergei Rachmaninoff Konzert für Klavier und Orchester No. 3 in D moll Op. 30 - I. Allegro ma non tanto - II. Intermezzo: Adagio - III. Finale: Alla breve - Vladimir Horowitz, Klavier - New York Philharmonic Orchestra - Zubin Metha, Leitung Rachmaninoff's fatherly insights and advice regarding his own music were to prove invaluable to Horowitz. For Rachmaninoff, Horowitz was a champion of both his solo works and his Third Concerto, about which Rachmaninoff remarked publicly after the performance that "This is the way I always dreamed my concerto should be played, but I never expected to hear it that way on Earth." In 1985, in the movie The Last Romantic, Horowitz said: "Rachmaninoff is a pianist. I played with him (Arturo Toscanini, who is also mentioned in the conversation), Rachmaninoff and we... [plays the beginning of 3rd piano concerto]. He was a wonderful pianist and a nice friend. He was my best friend! First of all he was composer, pianist and conductor. Three things at once and first class, all three, I think so.

Tags: Rachmaninoff, Piano, Concerto, in, minor, Op, 30, Horowitz, inspirational, musical instruments, orchestra

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