Showing posts with label Percussion. Show all posts
Showing posts with label Percussion. Show all posts

Friday, June 15, 2012

Leonard Bernstein - Symphonic Dances from "West Side Story" for two pianos and percussion (2/2)

Leonard Bernstein - Symphonic Dances from "West Side Story" for two pianos and percussion (2/2) Video Clips. Duration : 9.57 Mins.


Leonard Bernstein (1918-1990) Symphonic Dances from "West Side Story" for two pianos and percussion (arr by Paul McKibbins and Robert Philipps) 1. Prologue. Allegro moderato 2. "Somewhere". Adagio 3. Scherzo. Vivace e leggero 4. Mambo. Presto 5. Cha-cha ("Maria"). Andantino con grazia 0:00 6. Meeting Scene. Meno mosso 1:05 7. "Cool" Fugue. Allegretto 2:41 8. Rumble. Molto allegro 5:10 9. Finale. Adagio 7:00 Güher & Süher Pekinel, pianos Peter Sadlo & Stefan Gagelmann, percussion The dance music of West Side Story was brought into the concert hall in 1961 in the shape of the continuous suite of Symphonic Dances, assembled and scored for full orchestra (under Bernstein's supervision) by Sid Ramin and Irving Kostal. Later the suite was then arranged for two pianos and percussion by Paul McKibbins and Robert Philipps again under Bernstein's supervision. The Prologue is a tense dance scene for the rival gangs. The song "Somewhere" and the Copland-like Scherzo accompany a dream sequence in which the gangs are reconciled in friendship. The Mambo is a competitive dance which belongs to real life. The Cha-cha accompanies the first meeting of the lovers Tony and Maria in the dance hall (with hints of the song "Maria"); the Meeting Scene underscores their first dialogue. "Cool" is a song and dance scene in which the Jets decide to rein in their aggression: Bernstein's music is a fusion of "cool" jazz idioms and fugal form. "Rumble" is the music for the climactic gang fight, in which ...

Keywords: leonard, bernstein, symphonic, dances, west, side, story, musical, two, pianos, percussion, transcription, arrangement

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Saturday, June 9, 2012

History of Percussion Instruments

Anthropologists and historians repeatedly conjecture that percussion instruments were the first musical apparatus ever came into being. But with the utmost certainty, the human voice was the first musical instrument, and surely, percussion tools such as feet, hands, rocks, sticks and logs came in second to the on-going evolution of music. When humans advanced tools for hunting and agriculture, their knowledge along side with skill, enabled them to yield more complex tools. They use slit drum, made from a hollowed-out tree trunk. For instance, a straightforward log may have been shaped to create louder tones (log drum) and may have been pooled to create numerous tones (set of log drums).

As time moved on, so is the evolution of percussion instruments. In the early 10th century, it was known that most tribes in Africa use sorts of percussions such as djembe, macaras used in Latin America, karimbas in Asia and seed rattles in Australia for their recreational and worship rituals and sometimes used in sending signals.

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Percussion instruments that are displayed in orchestra first came from Asia Minor. In the 15th century, population began migrating east and brought with them numerous instruments. Our percussion instruments got their introductory stages there, when the Crusades took back the drums that they found in the Middle East. From then on, evolution of percussion and drums kicked up a notch and assortments of percussion instruments came into being.

Percussion is categorized by a collection of criteria at times depending on their cultural origin, construction and function within musical orchestration. It is ordinarily referred as ?the hearbeat? of a musical ensemble, often functioning close collaboration with bass instruments if present.

Drums and percussions as well as bass are known as the rhythm section of the most favorite music genres. Most classical pieces written for an orchestra since the time of Mozart and Haydn are schemed to put emphasis on strings, brass and woodwinds. However, time and again they include a pair of timpani (kettle drums) although not played continuously. But moderately, they serve to offer added accents when needed.

In the 18th and 19th centuries, more percussion instruments (like the cymbals or triangles) came to being and frequently, again gradually and cautiously played in general. The massive uses of percussion instruments become more recurrent in the 20th century, on classical music.

In practically all types of music, percussion plays a basal role. In a military parade, it is the attack of the bass drum that holds the soldiers in step and at a general speed, and it is the snare that endows that crisp, vital air to the tune of a troop. In traditional jazz, one practically at once thinks of the distinguishing rhythm of the hi-hats or the ride cymbal when the word "swing" is uttered. In more current favorite music genres, it is practically impossible to name at least three or four rock, hip-hop, rap, funk, punk, techno, grunge, alternative and blues songs that don?t have some kind of percussive beat maintaining the tune in time.

Because of the mixture and wide assortments of percussive instruments, it is not unusual to find large musical gathering composed wholly of percussion. Rhythm, harmony and melody are all clear and alive in these musical factions, and in live performances they are quite a spectacle to see.

History of Percussion Instruments

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Friday, May 25, 2012

Bernstein: Symphonic Dances of West Side Story/Gershwin: Three Preludes/Bartok: Sonata for Two Pianos and Percussion

Bernstein: Symphonic Dances of West Side Story/Gershwin: Three Preludes/Bartok: Sonata for Two Pianos and Percussion Review


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