Beethoven: Piano Concerto No. 5, 'Emperor' /Piano Sonata No. 28 in A Review
Beethoven: Piano Concerto No. 5, 'Emperor' /Piano Sonata No. 28 in A Overview
This is the stuff from which magic is made: Ludwig van Beethoven's Piano Concerto No. 5 in E flat major, Op. 73--known as the "Emperor" Concerto, heroic and powerful--performed by one of our most distinctive pianists, Hélène Grimaud. The excellent Staatskapelle Dresden is led by one of today's young stars on the podium, Vladimir Jurowski, a charismatic musical genius who was recently appointed London Philharmonic Orchestra's principal conductor. The chemistry between these musicians has the potential to create an extraordinary musical experience. On this album, the Concerto is coupled with a piano sonata out of Beethoven's late compositional phase where--noticeable in the slow movement of the concerto as well--the composer's concern for lyricism had deepened. Thus intimacy and delicacy are the features in the beautiful Piano Sonata No. 28, Op. 101 chosen by Grimaud. This project proves the modernity of Beethoven, firstly by the passionate interpretation of Grimaud and secondly by her being such an excellent communicator of her intentions and perceptions: "What makes Beethoven an extremely modern composer is this extreme vitality, the desire to never give up, and also this foreverendearing, extremely touching characteristic of the music to always strive to ascend, to really get beyond the frailties and the failures of the human condition by always looking up and trying to reconcile the top and the bottom, the vertical and the horizontal. That is still the struggle of people today--this is what makes Beethoven so timeless."
Mozart para Bebês - Larghetto (Piano Concerto nº27 2nd Mov k595) Video Clips. Duration : 6.80 Mins.
Musica para Bebés - Dormir e relaxar
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WAMOZART -PIANO CONCERTO No.17 in G major ,K.453 - Allegretto. Video Clips. Duration : 7.82 Mins.
WOLFGANG AMADEUS MOZART --- Please Watch in HD ! PIANO CONCERTO No.17 in G major , K . 453 - Allegretto. DANIEL BARENBOIM : PIANO ENGLISH CHAMBER ORCHESTRA Conducted by : Daniel Barenboim. Digital Remastered 1987. ___________________________________ PHOTOGRAPHY --ARTWORK & VIDEO by PETER SCHNEIDER 2012.
Beethoven - Für Elise (piano solo) Video Clips. Duration : 4.13 Mins.
Für Elise, by Ludwig van Beethoven, played by Stephen Malinowski, with bar-graph and conventional scores. FAQ Q: Where can I get the music for this piece? A: The score in the video is available for free here: www.musanim.com And here's a version for a solo melody instrument (like flute): www.musanim.com Q: What does "Für Elise" mean? A: For Elisa; read more about it here: en.wikipedia.org Q: I am trying to learn this piece, but the rhythm is confusing. Help! A: You are right, the rhythm is confusing. I had the same trouble when I was first trying to learn the piece. The reason for this is that Beethoven is playing a rhythmic trick on us; the piece is notated in 3/8 time, but the notes sometimes form 3/8 groups and sometimes form 3/4 groups (or, at the beginning, 2/4). I've made a version of the score that shows how this works; you might find that it is easier to learn from this: www.musanim.com Q: I want to learn to play the piano; what advice can you give me? A: I've put some suggestions here: www.musanim.com Q: Did Beethoven write this when he was deaf? A: Beethoven started losing his hearing in 1796, when he was about 26 years old; Carl Czerny said that he could hear music in 1812, but he was almost completely deaf by 1814. He wrote Fur Elise 1808 and 1810, so he probably could hear it, at least a little. In any case, he could certainly hear it perfectly "in his head," since he could read music (and hear in it his "mind's ear") just as easily as most people can read ...