Showing posts with label Etudestableaux. Show all posts
Showing posts with label Etudestableaux. Show all posts

Wednesday, July 25, 2012

Rachmaninov: Morceaux de Fantaisie / Etudes-Tableaux / Variations on a Theme of Corelli

Rachmaninov: Morceaux de Fantaisie / Etudes-Tableaux / Variations on a Theme of Corelli Review


Rachmaninov: Morceaux de Fantaisie / Etudes-Tableaux / Variations on a Theme of Corelli Overview

In her early twenties the Armenian pianist Nareh Arghamanyan, winner of the 2008 Montreal International Music Competition, belongs to the promising generation of today's fine pianists. The last season saw Nareh Arghamanyan making an impressive New York debut at the Frick collection as well as at San Francisco Performances, resulting in a reinvitation to their 'Young Master Series'. In concert she performed Saint-Sa+«ns 5th concerto with the Winnipeg Symphony, the Saint-Sa+«ns 2nd with I Musici de Montreal, and the "Emperor" concerto with the McGill Chamber Orchestra. Nareh Arghamanyan has appeared with the Mont Blanc Symphony France, Moscow Chamber Orchestra and the Armenian Philharmonic. In this new PentaTone release, she now turns her formidable talent towards the compositions of Rachmaninoff.

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Monday, May 21, 2012

Rachmaninov: Preludes & Etudes-Tableaux

Rachmaninov: Preludes & Etudes-Tableaux Review


Rachmaninov: Preludes & Etudes-Tableaux Overview

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Saturday, March 31, 2012

Rachmaninoff: Symphonic Dances/ Vocalise/ Etudes-tableaux

Rachmaninoff: Symphonic Dances/ Vocalise/ Etudes-tableaux Review


Rachmaninoff: Symphonic Dances/ Vocalise/ Etudes-tableaux Overview

Written in 1940, the Symphonic Dances represent Rachmaninov at the peak of his powers as an orchestral composer. Less lush than his earlier works, free of sentimentality, imaginatively orchestrated, and full of lively rhythms, the piece is red meat for a virtuoso orchestra. The Minnesotans rise to the challenge with superb ensemble and countless solo turns done to perfection. Oue's interpretation, flexible and pointed, lets the dance rhythms drive the three movements and consistently strikes the right mood; just listen to the frigid trumpets that open the second movement and the swirling winds that alternate with them. The Vocalise gets a lovely reading, followed by Respighi's arrangement of five Études-Tableaux that turn those virtuoso piano pieces into deliciously orchestrated tone poems. Kick the volume control up and you get state-of-the-art sonics--solid bass, overwhelming climaxes, and dynamics as wide as a Kansas sky. --Dan Davis

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