Rachmaninov: Piano Concerto: Vocalise

Showing posts with label Vocalise. Show all posts

Thursday, July 5, 2012

Vocalise ( Rachmaninov) : Natalie Dessay.

Vocalise ( Rachmaninov) : Natalie Dessay. Video Clips. Duration : 5.37 Mins.

Sublime et à la lettre "inoui"

Keywords: Natalie, Dessay, Rachmaninov, lyrique

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Wednesday, June 20, 2012

Rachmaninov: Symphonic Dances; Vocalise

Rachmaninov: Symphonic Dances; Vocalise Review

Rachmaninov: Symphonic Dances; Vocalise Overview

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Saturday, May 12, 2012

Rachmaninoff: Symphonic Dances, Op.45; Intermezzo "Aleko"; Vocalise, Op.34

Rachmaninoff: Symphonic Dances, Op.45; Intermezzo "Aleko"; Vocalise, Op.34 Review

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Friday, May 11, 2012

Rachmaninov: Symphony No. 3 / Caprice Bohémien / Vocalise

Rachmaninov: Symphony No. 3 / Caprice Bohémien / Vocalise Review

Rachmaninov: Symphony No. 3 / Caprice Bohémien / Vocalise Overview

Caprice Bohémien is one of Rachmaninov's earlier works, composed just before his First Symphony, and is a colourful fantasy on a gypsy theme. Much of the inspiration came from the composer's one act opera Aleko, based on The Gypsies by Pushkin (and with which he graduated the St Petersburg Conservatory with a rare gold medal).

Although Rachmaninov had not lived in Russia for a while, the Symphony No.3 is the most expressively Russian of his symphonies even though he wrote it at his house on Lake Lucerne; in fact his outlook remained quintessentially Russian wherever he was living: Russian was always his main language, and the family observed Russian customs, entertained Russian visitors and employed Russian servants (both in Switzerland and New York).

Originally written for voice (tenor or soprano) and piano - the last of 14 songs (Opus 34). There are many, many different arrangements of Rachmaninov's melancholy work, Vocalise, confirming the popularity of the piece. Even Slash from Guns and Roses did an arrangement as a tribute for a fellow rocker. Rachmaninov himself transcribed the piece for orchestra 3 years after he composed it.

"Petrenko instinctively conveys the essential quality of soul that the interpretation of Rachmaninov requires." ***** - The Telegraph

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Tuesday, May 8, 2012

Sergei Rachmaninoff: Symphonic Dances Op 45. Vocalise Op 34. / 14. (Koussevitzky) - Dallas Symphony Orchestra, Donald Johanos

Sergei Rachmaninoff: Symphonic Dances Op 45. Vocalise Op 34. / 14. (Koussevitzky) - Dallas Symphony Orchestra, Donald Johanos Review

Sergei Rachmaninoff: Symphonic Dances Op 45. Vocalise Op 34. / 14. (Koussevitzky) - Dallas Symphony Orchestra, Donald Johanos Feature

Classical Vinyl LP

Sergei Rachmaninoff: Symphonic Dances Op 45. Vocalise Op 34. / 14. (Koussevitzky) - Dallas Symphony Orchestra, Donald Johanos Overview

Stereo vinyl record LP.

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Friday, April 20, 2012

Rachmaninov: Symphony No. 2 / Vocalise, Op. 34/14

Rachmaninov: Symphony No. 2 / Vocalise, Op. 34/14 Review

Rachmaninov: Symphony No. 2 / Vocalise, Op. 34/14 Overview

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Saturday, March 31, 2012

Rachmaninoff: Symphonic Dances/ Vocalise/ Etudes-tableaux

Rachmaninoff: Symphonic Dances/ Vocalise/ Etudes-tableaux Review

Rachmaninoff: Symphonic Dances/ Vocalise/ Etudes-tableaux Overview

Written in 1940, the Symphonic Dances represent Rachmaninov at the peak of his powers as an orchestral composer. Less lush than his earlier works, free of sentimentality, imaginatively orchestrated, and full of lively rhythms, the piece is red meat for a virtuoso orchestra. The Minnesotans rise to the challenge with superb ensemble and countless solo turns done to perfection. Oue's interpretation, flexible and pointed, lets the dance rhythms drive the three movements and consistently strikes the right mood; just listen to the frigid trumpets that open the second movement and the swirling winds that alternate with them. The Vocalise gets a lovely reading, followed by Respighi's arrangement of five Études-Tableaux that turn those virtuoso piano pieces into deliciously orchestrated tone poems. Kick the volume control up and you get state-of-the-art sonics--solid bass, overwhelming climaxes, and dynamics as wide as a Kansas sky. --Dan Davis